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Site Update

I’ve been away from THE MOVIES online for a while now starting a new site, THE MOVIES everyday, where I’ve been reviewing a movie off Netflix every day. That site hit its 20th post today, and I just got a Real Life Day Job, so I can’t promise any sort of regular updates right now.

I wouldn’t even bother posting this here, I’m don’t expect anyone’s wondering where I’ve been, but this site is still getting 50+ pageviews a day (mostly on this Splice post [perverts]).

For now, keep up with me regularly over at THE MOVIES everyday. I’ll be using this blog for bigger and less frequent essay-type posts, hi-res screengrabs, and other spoiler-type stuff.

Thanks.

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On Being Quoted

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It happened to me. After years of mocking quotewhore critics for using sensational prose to get their names and their publications names into movie trailers, it happened to me. My TIFF review for Bunraku was quoted on the back of the DVD.

From the box:

Bunraku blends spaghetti westerns, film noir and graphic novels to create a “visual masterpiece… unlike anything ever put to celluloid” (James Battaglia, The Film Stage).

Yes, my friends, I wrote those words. I did. I admit it. Reading them in the context of the box, I wanted to slap myself for it. “Unlike anything ever put to celluloid”? A “visual masterpiece”? Who do I think I am, Peter Travers!?

It bothered me. A lot. Those words are there for as long as the movie is there. People will pick it up and read it and say “Oh James Battaglia liked this, I will too.” Then if they don’t like it they’ll blame me. Maybe some of them will mail me angry letters. Maybe Woody Harrelson read it and said “James Battaglia is an idiot.”

Ugh.

I had to know if I was right to say those things or if waiting in the rain for an hour to see the movie at midnight with hundreds of excitable fans and the director and cast could have swayed my early opinion, so I watched the movie again.

It turns out I knew what I was talking about.

(Please read my review now if you haven’t. I’m not going to go through a plot synopsis in this post, and it might not make much sense if you don’t know anything about the movie.)

See, Bunraku really is “unlike anything ever put to celluloid.” Sure, it borrows themes liberally from dozens of other, (often better) classic movies. The thing is, none of those movies are anything like the entirety of Bunraku. It succeeds in taking bits and pieces from timeless cowboy and samurai stories and putting them together to create something completely new. Other critics are right when they say its characters and plot aren’t well developed. They’ve missed the point, though. Bunraku isn’t about details, it’s about retelling classic tales in a new way  and in that, the film is a wild success.

Visually, it’s also unlike any other movie I’ve seen. Some compare it to Sin City, but that’s not a fair comparison. Sin City used color and graphic novel conventions in interesting ways, and so does Bunraku, but Bunraku is ultimately staged in a big popup paper foldout world. There just isn’t another movie that looks like that. It really is a visual masterpiece unlike anything ever put to celluloid.

It’s also a long movie. Too long, probably. Here’s part of my quote in its original context:

The fact that there are two storylines to first connect and later resolve adds length to the movie that impatient viewers won’t appreciate, but I refuse to complain about a single frame of this visual masterpiece purely on the basis of time.

Yes, they pulled the words “visual masterpiece” from a sentence on how I don’t mind that the movie is too long.

Everything else I have to say about Bunraku is in my original review (on The Film Stage, the best film news site on the net).

And yes, I bought myself the Blu Ray. Because this is cool.

Netflix Pic: Fallen Angels

I never recommend bad movies, ever. Usually I can back my picks up with more logical arguments than “This movie is cool”, though. Fallen Angels is cool. You’re just going to have to trust me on this one.

I first watched Wong Kar-Wai‘s 墮落天使  (doesn’t the title look so much cooler that way?) back on August 2. I didn’t know how to write about it then, and I don’t know how to write about it now, but I do know that I have to write about it. This movie is proof that all style/no substance can work, and it’s still blowing my mind.

To be fair, Fallen Angels isn’t completely devoid of substance. It’s about a hit man who needs to get over the affections of his beautiful and elusive partner before he can get out of the killing game. It’s about a quirky mute fellow who forces people to pay him for things they don’t want. It’s about an emotional woman searching the night for her ex-boyfriend. But mostly it’s about a few neon Hong Kong nights and how they all come together in the end, in a diner, during a brawl. [SPOILER? The screen grab above is from just about the very last shot in the movie, but it’s on the cover so it’s not a spoiler. SPOILER?]

Fallen Angels is a movie you watch with a pack of cigarettes instead of a bowl of popcorn. Is it a good film? Definitely. Is it a great one? Probably. The music is pretty fantastic. Watch it on Netflix, which is no longer Netflix Instant, because Netflix Slow is now Qwickster.